The performances were given in semi-circular auditoria cut into hillsides, capable of seating anywhere between 10,000–20,000 people. This derelict stage consisted of three major parts, a dancing floor (orchestra), a dressing room, and scene-building area. This scene building area was otherwise known as the Skene was used as a "backstage" area where actors could change their costumes and masks,as well as serving to represent the location and backdrop of the plays. Typically, there were several doors in the Skene that led out onto the orchestra, allowing actors to enter and exit. Since the words were the most important part, good acoustics and clear delivery were
The performances were given in semi-circular auditoria cut into hillsides, capable of seating anywhere between 10,000–20,000 people. This derelict stage consisted of three major parts, a dancing floor (orchestra), a dressing room, and scene-building area. This scene building area was otherwise known as the Skene was used as a "backstage" area where actors could change their costumes and masks,as well as serving to represent the location and backdrop of the plays. Typically, there were several doors in the Skene that led out onto the orchestra, allowing actors to enter and exit. Since the words were the most important part, good acoustics and clear delivery were