In 1982, he and Gurney published their first book, “The Artist Guide to Sketching”. Kinkade continued his life painting thousands of paintings. All of Kinkade’s paintings’ style is chiaroscuro; using strong contrasts of light…
It showcases the popular forms of artwork at the time. Tsuikoka used many beautiful colours alongside ink to create his masterpieces.…
Jennifer Le Arts-1301-85402 It was a rainy Saturday when I went to the Dallas Museum of Art where I first encountered the enormous steel sculpture Ave by Mark Di Suvero, which could be an artwork for commemoration and serves as a recognizable icon for citizens to demonstrate that the building next to it as an art museum. The abstract sculpture rested on the large grassy area where the bright red steel complimented the green grass that stood next to the light gray museum. The contemporary sculpture significantly covers a large portion of the lawn and thus may represent a public figurehead to the building itself. Unfortunately because of the rainy weather, the sculpture garden was closed but I hope to revisit the museum again for that exhibit.…
Lono and Kū are two Hawaiian gods that were most often represented through feathered basketry and wooden sculptures. Lono is known as the god of agriculture, plants, rain, pigs, peace, and most often connected to the idea of genealogy; while Kū is well known as the god of war, forests, canoes, houses, and crafts. These are two opposing gods in Hawaiian culture and are dependent on each other because of their juxtaposition to one another. They complete a sort of higher balance between each other and are two of the main gods in Hawaii. This essay will explore and discuss how Lono and Kū are represented in Hawaiian art, through style, usage, and historical context.…
There are numerous comparisons, similarities and differences to be noted between Clifford Possum Tjapaltjarri and Emily Kame Kngwarreye none more than their art work. Both being from the central desert region of the Northern Territory, Australia and the Anmatyerre language group both Clifford and Emily share simular life experiences, beliefs of the dreaming, geography and views of their country. Both artists produced their work in a matching time and place with simular preferred mediums and both had numerous collections exhibited both nationally and internationally. Yet their subject matter and their style of painting differed dramatically, Clifford painting the Dreaming and Emily focusing on her local landscape. Furthermore, until very…
Katsushika Hokusai’s piece titled The Great Wave off Shore At Kanagawa is a Japanese woodblock print that was created around 1826-1833 in the Edo period. This piece is apart of Hokusai’s series Thirty-Six Views of Mount Fuji. Japan’s most famous mountain, Mount Fuji is in every piece in the series. This piece is relatively small at 10 1/8 inches x 14 15/16 inches. Yet, Hokusai did not make his magnificent pieces of art alone, he had skilled craftsman aid in the production of the each of his woodblock prints.…
1. Why is the page October, from Les Tres Riches Heures du Duc de Berry (fig. 19-1) significant? Because this is representing the human begins.…
This Artistic movement was founded in the the mid-19th century and consist of many landscapes artist that had the same views derived from romanticism. The painters had accumulated paintings from the Hudson River and many surroundings areas. Now, our generation of painters have with the school and expanded the places to have a wider variety of landscapes. These painting were created by artist that went to these aesthetic places and painted exactly what they saw. If some places were too difficult to paint they would take notes about what they discerned and later modify or add their artwork.…
The Oxbow is a landscape painting composed by Thomas Cole in 1836 using oil on canvas as medium. The painting was a view from Mount Holyoke, Northamption Massachussets after a thunderstorm. At first glance i can't help but to appreciate the beautiful interpretation of wilderness to the left and the first modern society to the right. Also, This piece shows how unpredictable nature can be due to calamaties and no man can do anything about it. The Oxbow by Thomas Cole is a masterpiece depicting the beautiful American wilderness in the 19th century and his love for the country.…
Landscape art, is the art of landscapes such as natural scenery mountains, trees, and forests are the focal point for the subject. The two main traditions are from western or eastern landscapes perspectives. I will be comparing or contrasting the works of Thomas Cole and Watanabe Shiko. There are vast differences within the perspective, style and coloring when viewing the different landscape techniques.…
In the essay he states, “The Painter no longer approached his easel with an image in his mind; he went up to it with material in his hand to do something to that other piece of material in front of him” (25). Maybe the goal was to create something unknown even to artist himself. They had to explore the canvas with their brushes or whatever they were using to make those lines and colors. Moreover, he argued that there was nothing wrong with sketching because it was also the “action” and its already an artwork that will be turned into a bigger one. Technically, it's not a recreation of an image, the artist it's only remaking their composition and there is nothing wrong with that.…
At his early ages (only 7 years old), he showed his love towards drawing. And such passion continued also throughout his high school years. He attended the Mckinley High School in Chicago, and took drawing and photography classes, also at night he took courses at the Chicago Art Institute. (A brief illustration: Their neighbors were so interested in his art and creative work, that they bought his drawings. Thus, he gained some money as a teen this way).…
Katach (“form and design”) is the Japanese word that best translates the concept of “art”. A word which implies that “art is synonymous with living, functional purpose, and spiritual simplicity” (Walkup). Zen Art is by its nature spiritual as it was “done not by professional artists, but by Zen monks and nuns who spent extremely disciplined lives of meditation, in a search for enlightenment and awakening to the true nature of reality”(Sweet). The core foundation of the art-form is the belief that the true character as well as the level of spiritual realization of the monk or nun were transposed into the painting itself. The painting style employed in Katach was very quick and evocative, as its main focus was on the inherent nature of the aesthetic…
He painted for himself, and he painted for those who were important to him. This piece was very personal to…
Yayoi Kusama. Narcissism, Abstract and Minimalism: Everything merges with her inner vulnerability. In this essay I will examine the Japanese artist Yayoi Kusama, focusing on her performances and their meaning through her body's mental state as it progressed. I will also reflect on any potential narcissistic indications in her work.…