In a similar vein, Leonor Arfuch, signals a “more widespread [obsession with the first person] that not only involves film, but also visual arts, literature, the media, politics, and even academic research.” This insistence on the subjective, as we have said, certainly has to do with rights-based claims by individuals and groups, but it may also be telling us something important about the nature of the globalized, neoliberal era in which we live: a time in which individualism is rampant and social media or reality TV, among other media, bombard us daily with first-person
In a similar vein, Leonor Arfuch, signals a “more widespread [obsession with the first person] that not only involves film, but also visual arts, literature, the media, politics, and even academic research.” This insistence on the subjective, as we have said, certainly has to do with rights-based claims by individuals and groups, but it may also be telling us something important about the nature of the globalized, neoliberal era in which we live: a time in which individualism is rampant and social media or reality TV, among other media, bombard us daily with first-person