Cawelti described these characters as the “ racial other” (Cawelti 77). The “others” typically were women and Native Americans that stood beneath the white male hero. Native Americans in particular were unceasingly depicted as savages and in films where the location was in relation to Mexico, Mexicans were also characterized in a negative light. In Stagecoach, Mexicans were almost cartoonish in their characterization. The Native Americans in the film were an afterthought as the violence that was impeding the stagecoach in its journey. John Ford’s, The Searchers, the main character, played by John Wayne, was an “Indian hating, irreconcilable Confederate” (Coyne 71), remarked Coyne. Coyne saw these characters in The Searchers as, “symbolic reminders that America’s racial problems would not go away” (Coyne 71). The success of both these films indicates that prevalent ideals of white supremacy was continuing to dominant American culture and
Cawelti described these characters as the “ racial other” (Cawelti 77). The “others” typically were women and Native Americans that stood beneath the white male hero. Native Americans in particular were unceasingly depicted as savages and in films where the location was in relation to Mexico, Mexicans were also characterized in a negative light. In Stagecoach, Mexicans were almost cartoonish in their characterization. The Native Americans in the film were an afterthought as the violence that was impeding the stagecoach in its journey. John Ford’s, The Searchers, the main character, played by John Wayne, was an “Indian hating, irreconcilable Confederate” (Coyne 71), remarked Coyne. Coyne saw these characters in The Searchers as, “symbolic reminders that America’s racial problems would not go away” (Coyne 71). The success of both these films indicates that prevalent ideals of white supremacy was continuing to dominant American culture and