The Mask Of Fu Manchu Analysis

Great Essays
Stereotypes of people of color and minority races have been around for many years, and have proved themselves to dominate the perception of people of color in everyday life. Films portray people of color as they are perceived by white Americans, not how they truly are, unique. Film has only dirtied the minority races’ image over time, though if the movies were not made by other Americans, they were more accurate to their race.
Stereotypes of Asians have been around for a long time, ever since Asians were introduced. Stereotypes such as Asian students are smarter, Asian women are more exotic and tend to wait on men, Asian women are submissive, Asian people are all from China, and many others. All of these Asian stereotypes in film include all
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While on a hunt for ancient relics in Ghengis Khan’s tomb, the evil-doers Dr. Fu Manchu (Boris Karloff in yellow-face) and Fah Lo See (Myrna Loy) have a run-in with an English expedition team. While the expedition team are looking for artifacts for historical purpose, the villainous duo are searching for the mask and the sword for evil and mystical, unstoppable power. In this movie we see the “mysterious Eastern” villain tropes develop and open the gate for its future use. Fu Manchu is portrayed as an evil genius with talons for fingernails, a long droopy moustache, high-arched eyebrows, and of course yellow-face. This portrayal of Asian people is offensive towards the people it is aimed at not because of his looks but because of his attitude and treatment towards other races. This story stereotypes Asian people as full of malice and ill-intentions throughout the entire …show more content…
Not only were African characters portrayed using blackface, but they were also portrayed as vicious villains who strived to overthrow the American government and instill laws that white people detested. Some of those laws included interracial marriage by force and saluting to black soldiers. The law in relation to marriage, lead to two scenes in which white women were “threatened” by black men and in turn, one of the women named Flora (Mae Marsh) committed suicide because she would rather be dead instead of married to a black

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