According to the article Rameau’s theories elaborated on the notion of sensory experiences through musical practice, which were viewed as being radical in nature due to the distinct style and intensity of the music (Dill 442-443). One reason Rameau’s music failed to receive recognition was due to the influence of the French culture as the French were highly interested in literature while disregarding the significance of music on an intellectual level (Dill 446). In the opera Hippolyte et Aricie, Rameau introduces a chromatic progression music accompanying the monstrous figure present within the livret written by Pellegrin nonetheless, the musical composition shook his own theoretical ideas (Dill 463). Based on the criticisms and public opinion Rameau grasped the idea that the concept of language was vital for his theories to gain limelight within the French culture (Dill 460). Yet, his musical compositions were still deemed to be irrational and difficult to process leading him to make altercations to his compositions on a simpler level for the stage performances (Dill
According to the article Rameau’s theories elaborated on the notion of sensory experiences through musical practice, which were viewed as being radical in nature due to the distinct style and intensity of the music (Dill 442-443). One reason Rameau’s music failed to receive recognition was due to the influence of the French culture as the French were highly interested in literature while disregarding the significance of music on an intellectual level (Dill 446). In the opera Hippolyte et Aricie, Rameau introduces a chromatic progression music accompanying the monstrous figure present within the livret written by Pellegrin nonetheless, the musical composition shook his own theoretical ideas (Dill 463). Based on the criticisms and public opinion Rameau grasped the idea that the concept of language was vital for his theories to gain limelight within the French culture (Dill 460). Yet, his musical compositions were still deemed to be irrational and difficult to process leading him to make altercations to his compositions on a simpler level for the stage performances (Dill