Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
37 Cards in this Set
- Front
- Back
|
benjamin west, the death of general wolf, 1770 history painting celebrating current event general wolf christ allegory - dying for his country vs dying for our sins native american "the thinker" late georgian |
|
|
joseph wright of derby, a philosopher lecturing on the orrery, 1766 late georgian thinkers painting in similar way as greek gods, etc, embodies enlightenment genre scene: scene of everyday life but big as a history painting light source shows enlightenment process |
|
|
henry fuseli, the nightmare, 1781 creature/horse (no pupils) evoke fear and loss of reason in dream gothic thrill/sublime nightmares are suffocating late georgian |
|
|
jacques-louis david, oath of the horatii, 1785 french revolution theme: loyalty to state over everything roman influence, men rigid, women not. no brushwork. caravaggio influence in stark lighting neoclassical |
|
|
jacques-louis david, death of marat, 1793 neoclassical murdered in bathtub, lack of allegorical imagery and grandiosity. horrible person irl, portrayed as martyr |
|
|
goya, portrait of the duchess of alba, 1797 pointing at engraving in sand, only goya, points at infatuation mourning dress loose technique |
|
|
goya, the dream of reason produces monsters, from los caprichos, 1797-98 evils of the world come out when reason sleeps, imagination must be kept in check with reason |
|
|
jacques-louis david, the sabine women, 1799 art under napoleon emphasis on feminine qualities. roman history, contrast to oath of horatii, love over state |
|
|
goya, family of carlor IV 1800-1801 |
|
|
jacques-louis david, napoleon crossing the alps at the st bernard pass, 1800-1801 art under napoleon way too big for horse, propaganda |
|
|
bertel thorvaldsen, jason, 1802-1828 neoclassical, roman/greek influence |
|
|
antoine-jean gros, bonaparte visiting the plague house at jaffa, 1804 art under napoleon napoleon takes glove off & isn't disgusted while everyone else backs off played up exoticism propaganda history painting of current event |
|
|
jean-auguste-dominique ingres, portrait of napoleon on his imperial throne, 1806 art under napoleon reminiscent of portrayal of Jupiter laurel wreath, ivory hand of justice used by french medieval kings |
|
|
francisco goya, execution of the rebels on the third of may, 1808, 1814 history painting of current event, novel because it portrays nothing glorious or victorious |
|
|
caspar david friedrich, woman in front of the setting sun, 1818-1820 pointing to three large stones - symbols of christian faith - faith triumphs over death (setting sun) |
|
|
theodore gericault, the raft of the medusa, 1819 romanticism not an important historical event of propagandistic - unusual choice for a history painting, involving common people feels close up diagonal upward sweep |
|
|
eugene delacroix, scenes from the massacres at chios, 1824 romanticism unusual emphasis on agony and suffering pessimistic half naked woman being abducted criticized for lack of composition |
|
|
caspar david friedrich, hutten's grave, 1824 |
|
|
jean-auguste-dominique ingres, the vow of louis XIII, 1824 romanticism inspiration from raphael, but virgin's face has been smoothed - sensuality |
|
|
eugene delacroix, the death of sardanapalus, 1828 romanticism orientalism, decadency of king inspires revolution sweeping diagonal line free brushwork |
|
|
eugene delacroix, liberty leading the people: july 28, 1830, 1830 combines real people with allegorical figure (liberty) |
|
|
thomas cole, view from mount holyoke, northampton, massachusetts (the oxbow), 1836 wilderness vs cultivation landscape painting |
|
|
louis daguerre, seashells, 1839 light & shade |
|
|
david octavius hill & robert adamson, the birdcage, 1843/48 callotype birdcage symbol for marriage art photography |
|
|
asher b durand, landscape: progress, 1853 wilderness vs cultivation landscape painting |
|
|
jean-leon gerome, snake charmer, late 1860's voyeristic fantasy, vague homoeroticism |
|
|
timothy o'sullivan, a harvest of death, gettysburg, pennsylvania, 1863 set up idea that photography is transparent pockets turned out, shoes stolen |
|
|
jean-leon gerome, the call to prayer, 1865 |
|
|
e carolus duran, mademoiselle de lancey, 1876 elegance, ankles exposed |
|
|
alexandre cabanel, the birth of venus, 1863
|
|
neoclassicism |
inspired by enlightenment, morally responsible, focused on french politics, references to greek, roman, rich colors |
|
late georgian |
gothic revival sublime |
|
david, history painting, french revolution |
line over color |
|
art under napoleon |
propaganda drew on greek and roman architecture |
|
goya |
last of the old masters, first of the moderns balanced reason and emotion |
|
romanticism |
rejected ideas of enlightenment color over line emphasis on nature |
|
lanscape painting |
politics |