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119 Cards in this Set
- Front
- Back
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Edward Burtynsky, Manufacturing #17, Deda Chicken Processing Plant, Dehui City, Jilin Province, China, 2005, C-Print |
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Alfred H. Barr, front cover of Cubism and Abstract Art, 1936 |
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Hannah Höch, Das Schöne Mädchen (The Beautiful Girl), 1919-2 |
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Henri Matisse, The Open Window, Collioure,1905 |
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Henri Matisse, The Blue Nude (Souvenir ofBiskra), 1907 |
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André Derain, L’Age d’Or (The Golden Age),1905 |
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André Derain, The Dance , 1906 |
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Erich Heckel, FranziLying Down, 1910. Woodcut. |
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E. L. Kirchner, Dancer with a Necklace, 1910. Wood sculpture. |
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E. L. Kirchner, StandingNude with a Hat, 1907. |
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Max Pechstein, OpenAir (Moritzburg), 1910. |
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E. L. Kirchner, Self-Portraitas a Soldier, 1915. |
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František Kupka, Piano Keys-Lake,1905 |
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Mikalojus Čiurlionis, Creationof the World (6), 1905 |
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Franz Marc, FightingForms, 1914 |
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Wassily Kandinsky, GlassPainting with Sun, 1910 |
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Pablo Picasso, Les Demoiselles d’Avignon, 1907 |
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Pablo Picasso, The Accordionist, 1911 |
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Jean Metzinger, Teatime, 1911 |
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Fernand Léger, The Card Game, 1917 |
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Piet Mondrian, Evolution: Triptych, 1910 |
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Piet Mondrian, Composition no.10: Pier and Ocean,1915 |
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Piet Mondrian, Tableau 1, 1926 |
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Piet Mondrian, New York City 1, 1942 |
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Kazimir Malevich, Chiropodistat the Baths, 1911 |
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Mikhail Larionov, Officer’sHairdresser, 1909 |
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Natalia Goncharova, Cyclist,1913 |
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Kazimir Malevich, AnEnglishman in Moscow, 1914 |
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Liubov Popova, Popova, PainterlyArchitectonics, 1918 |
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Vladimir Tatlin, Sailor,1911-12 |
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Vladimir Tatlin, Model for the Monument to the 3rdInternational [Comintern], 1919-20 |
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Gustav Klucis, CulturalConstruction, Poster design, 1928 |
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Umberto Boccioni, The City Rises, 1910 |
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Giacomo Balla, Girl Running on a Balcony, 1912 |
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Umberto Boccioni, Dynamism of a Speeding Horse + Houses,1914-5 |
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Wyndham Lewis, Workshop, c. 1914-15 |
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Henry Van de Velde, Applied Arts School, Weimar, 1900s |
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Lionel Feininger, ‘Cathedral’, cover design for Bauhausprogramme, 1919 |
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Laszlo Moholy-Nagy, Bauhaus Balconies, Dessau 1926 |
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Marcel Breuer, Wassily Chair, 1925-26 |
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Otto Wagner, Post Office Savings Bank, Vienna, 1903-12 |
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Peter Behrens, AEG Turbine Factory, Berlin-Moabit, 1909 |
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Margarete Schütte-Lihotsky, Frankfurt Kitchen, 1926-27 |
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Le Corbusier, Villa Savoye, Poissy, 1928-31 |
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Marcel Janco, Cabaret Voltaire, 1916 |
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Marcel Duchamp, Fountain, 1917 |
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George Grosz, Homage to Oskar Panizza, 1917-18 |
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Hannah Höch, Cut with the Kitchen Knife Dada through theLast Weimar Beer Belly Cultural Epoch of Germany, 1919-20 |
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Giorgio De Chirico, The Mystery and Melancholy of aStreet, 1914 |
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Max Ernst, Pietà or Revolution by Night, 1923 |
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Max Ernst, The Habits of Leaves, 1925. (Frottage) |
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Salvador Dalí, Accommodations of Desire, 1929 |
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Magritte, The Rape, 1934 |
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George Grosz,Germany: A Winter’s Tale, 1919 |
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Alexander Deineka, Building New Factories, 1926 |
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Isaak Brodsky,Lenin in the Smolny, 1930 |
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Diego Rivera,History of Mexico: From the Conquest to the Future, 1925-35 |
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Georges Braque, Homage to J. S. Bach, 1911-12 |
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Georges Braque, Fruitdish and Glass, September 1912 |
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Hannah Höch, The Sweet One, From an Ethnographic Museum, c.1926 |
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Richard Hamilton, Just what is it that makes today’s homes so different, so appealing?, 1956 |
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Alfred Langdon Coburn, abstract vortograph, 1917 |
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El Lissitzky, TheConstructor (Self-Portrait), 1924 |
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Albert Renger-Patzsch, Snake’sHead, 1925 |
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Henri Cartier-Bresson, Behindthe Gare St Lazare, 1932 |
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JacobEpstein, Birth, c.1913 |
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Pablo Picasso, Construction, Violin, 1915 |
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Joseph Cornell, Fortune Telling Parrot (Parrot MusicBox), 1937-38 |
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David Smith, Tanktotem,IV, 1953 |
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Jackson Pollock, She-Wolf,1943 |
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Jackson Pollock, FullFathom Five, 1947 |
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Jackson Pollock: Number 1 A 1948, 1948 |
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Willem de Kooning, WomanI, 1950-52 |
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Pablo Picasso, The Charnel House, 1945-6. |
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Jean Fautrier, Head of a Hostage, no.1, 1943 |
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Germaine Richier, Hurricane Woman, 1948 |
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Georg Baselitz, The Great Piss-Up, or, Night down the drain, 1962 |
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Joaquín Torres-García, New York Street, 1923 |
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Wifredo Lam, The Jungle, 1943. |
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Lygia Clark, Matchbox Structures, 1964 |
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Lygia Clark, Pocket Creature, 1966 |
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RobertRauschenberg, White Painting, 1951 |
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Robert Rauschenberg, AutomobileTire Print, 1953 |
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Robert Rauschenberg, Bed, 1955 |
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Robert Rauschenberg, Monogram, 1959 |
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PaulineBoty, The Only Blonde in the World, 1963 |
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FrankBowling, Cover Girl, 1963-4 |
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AndyWarhol, Red Race Riot, 1963 |
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Antonio Dias, Note on the Unforeseen Death, 1965 |
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Donald Judd, Untitled, 1965 |
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Robert Morris, Mirrored Cubes, 1965 |
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Carl Andre, 100 Copper Square, 1968 |
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Anthony Caro, Midday, 1960 |
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LawrenceWeiner, A 36” X 36” Removal to the Lathing or Support or Plaster orWallboard From a Wall, 1968/9 |
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MarthaRosler, Balloons, from theseries House Beautiful: Bringing the War Home, 1967-1972 |
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MarthaRosler, Cleaning the Drapes from the series House Beautiful: Bringingthe War Home, 1967-72 |
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MierleLaderman Ukeles, Washing/Tracks/Maintenance: Inside, Wadsworth Athenaeum, 1973. |
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CaroleeSchneemann, Eye/Body: 36 Transformative Actions for Camera, 1963 |
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CaroleeSchneemann, Meat Joy, 1964 [right hand colour image on slide 10] |
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Yoko Ono, CutPiece, New York, 1965 [left hand image on slide 13] |
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Adrian Piper, Catalysis IV, New York, 1970. |
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Mark Tansey, A Short History of Modernist Painting,1982 |
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James Stirling & Michael Wilford, Wissenschaftszentrum(Science Centre), Berlin, 1979-87 |
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Paula Scher, Swatch watch USA poster, 1984 |
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Yasumasa Morimura, Portrait (Futago), 1988 (colourphotograph) |
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FrankBowling, Who’s Afraid of Barney Newman, 1968 |
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YinkaShonibare MBE, Double Dutch, 1994 |
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YinkaShonibare MBE, Nelson’s Ship in a Bottle, 2010-12 [Fourth Plinth inTrafalgar Square, London; now re-installed at the National Maritime Museum,Greenwich] |
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Ai Weiwei, HanJar Overpainted with Coca-Cola Logo, 1995 |
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Gabriel Orozco, Island within an Island, 1993 |
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Zoe Leonard, Havemeyer St. Brooklyn, from Analogue,1997-2004 |
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Suzanne Lacy, The Crystal Quilt, 1985-7 |
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Jeff Wall, Picture for Women, 1979. |
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Andreas Gursky, Bundestag, Bonn, 1998. |
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Tracey Moffatt, Something More No. 1, 1989. |
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Destiny Deacon, Portrait--Fiona Hall, artist, 2004. |
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•Charles Hossein Zenderoudi, The Hand, 1960–61, paper collage with ink, watercolor, gold and silver paint |
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•Shirin Neshat, without title, from the series Womenof Allah, 1999, B&W RC print & ink |
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•Siamak Filizadeh, The soldiers of evil are killed by Rostam II,of the Rostam IIseries, 2009, digital print on canvas |