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35 Cards in this Set
- Front
- Back
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Aerial view of the Dome of the Rock, Jerusalem, 687–692; marble and ceramic tile mosaics, gilded wood, and painted stucco |
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Court of the Lions, Palace of the Lions, Alhambra, Granada, Spain, 1354-1391; sun dried brick and stucco. |
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SINAN, Mosque of Selim II, Edirne, Turkey, 1568–1575; ashlar masonry with marble revetement. |
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Mihrab from the Madrasa Imami, Isfahan, Iran, ca. 1354. Glazed mosaic tilework, 11 ’ 3 ” X 7 ’ 6 ”. Metropolitan Museum of Art, New York. |
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Purse cover, from the Sutton Hoo ship burial in Suffolk, England, ca. 625. Gold, glass, and cloisonné garnets, 7 1/2” long. British Museum, London. |
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Saint Matthew, folio 25 verso of the Lindisfarne Gospels, from Northumbria, England, ca. 698–721. Tempera on vellum, 1 ’ 1 1/2 ” X 9 1/4 ”. British Library, London. |
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Equestrian portrait of Charlemagne or Charles the Bald, from Metz, France, ninth century. Bronze, originally gilt, 9 1/2 ” high. Louvre, Paris. |
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Crucifixion, front cover of the Lindau Gospels, from Saint Gall, Switzerland, ca. 870. Gold, precious stones, and pearls, 1 ’ 1 3/8 ” X 10 3/8 ”. Pierpont Morgan Library, New York. |
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Psalm 44, detail of folio 25 recto of the Utrecht Psalter, from Hautvillers (near Reims), France, ca. 820-835. Ink on vellum, full page, 1’ 1” X 9 7/8”;detail, 4 ½” high. University Library, Utrecht. |
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Column with reliefs illustrating the life of Christ, commissioned by Bishop Bernward for Saint Michael’s, Hildesheim, Germany, ca. 1015–1022. Bronze, 12’ 6” tall. Dom-Museum, Hildesheim. |
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Nave of the church of Saint Cyriakus, Gernrode, Germany, 961–973; stone and wood. |
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Otto III enthroned, folio 24 recto of the Gospel Book of Otto III, from Reichenau, Germany, 997–1000. Tempera on vellum, 1 ’ 1 ” x 9 3/8 ”. Bayerische Staatsbibliothek, Munich. |
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Schematic plan for a monastery at Saint Gall, Switzerland, ca. 819. Red ink on parchment, 2 ’ 4 ” X 3 ’ 8 1/8 ”. Stiftsbibliothek, Saint Gall. |
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South portal of Saint-Pierre, Moissac, France, ca. 1115–1135. Left: general view. Right: detail of tympanum with Second Coming of Christ; stone and wood |
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Aerial view (looking northwest) of Saint-Sernin, Toulouse, France, ca. 1070–1120; brick and stone. |
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Virgin and Child (Morgan Madonna), from the Auvergne, France, second half of twelfth century. Painted wood, 2 ’ 7 ” high. Metropolitan Museum of Art, New York (gift of J. Pierpont Morgan, 1916). |
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Hildegard receives her visions, detail of a facsimile of a lost folio in the Ruperts-berger Sciviasby Hildegard of Bingen, from Trier or Bingen, Germany, ca.1150–1179. Abbey of St. Hildegard, Rüdesheim /Eibingen. Ink on animal skin. |
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Cathedral complex, Pisa, Italy; cathedral begun 1063; baptistery begun 1153; campanile begun 1174; bearing masonry, cut stone, white marble. |
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Interior (left) and lateral section (right) of Durham Cathedral, England ,begun ca.1093; sandstone and glass. |
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Funeral procession to Westminster Abbey (top) and Battle of Hastings (bottom), details of the Bayeux Tapestry, from Bayeux Cathedral, Bayeux, France, ca. 1070-1080. Embroidered wool on linen, 1’ 8” high (entire length of fabric 229’ 8”). Centre Buillaume le Conquerant, Bayeux. |
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Royal Portal, west facade, Chartres Cathedral, Chartres, France, ca. 1145–1155; limestone and wood. |
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ROBERT DE LUZARCHES, THOMAS DE CORMONT, and RENAUD DE CORMONT, interior of Amiens Cathedral (looking east), Amiens, France, begun 1220; stone masonry. |
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Virgin and Child (Virgin of Paris), Notre-Dame, Paris, France, early fourteenth century; marble. |
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Blanche of Castile, Louis IX, and two monks, dedication page (folio 8 recto) of a moralized Bible, from Paris, France, 1226–1234. Ink, tempera, and gold leaf on vellum, 1 ’ 3 ” X 10 1/2 ”. Pierpont Morgan Library, New York. |
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Notre-Dame (looking north), Paris, France, begun 1163; nave and flying buttresses, ca. 1180–1200; remodeled after 1225; stone, glsass, lead plates. |
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Aerial view of Salisbury Cathedral, Salisbury, England, 1220–1258; west facade completed 1265; spire ca. 1320–1330; limestone, glass, marble. |
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Interior of Salisbury Cathedral (looking east), Salisbury, England, 1220–1258; limestone, class, marble. |
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NAUMBURG MASTER, Ekkehard and Uta, statues in the west choir, Naumburg Cathedral, Naumburg, Germany, ca. 1249–1255. Painted limestone, Ekkehard 6’ 2” high. |
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NICOLA PISANO, Annunciation, Nativity, and Adoration of the Shepherds, relief panel on the baptistery pulpit, Pisa, Italy, 1259–1260. Marble, 2’ 10” x 3’ 9”. |
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CIMABUE, Madonna Enthroned with Angels and Prophets, from Santa Trinità, Florence, Italy, ca. 1280–1290. Tempera and gold leaf on wood, 12 ’ 7 ” x 7 ’ 4 ”. Galleria degli Uffizi, Florence. |
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Giotto di Bondone, Arena Chapel Frescos (Cappella Scrovegni; interior looking west), Padua, Italy, 1305–1306; fresco. |
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GIOTTO DI BONDONE, Lamentation, Arena Chapel, (Cappella Scrovegni), Padua, Italy, ca. 1305. Fresco, 6’ 6 3/4” x 6’ 3/4”. |
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DUCCIO DI BUONINSEGNA, Virgin and Child Enthroned with Saints, principal panel of the Maestà altarpiece, from the Siena Cathedral, Siena, Italy, 1308–1311. Tempera and gold leaf on wood, 7’ x 13’ (center panel). Museo dell’Opera del Duomo, Siena. |
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SIMONE MARTINI AND LIPPO MEMMI(?), Annunciation, altarpiece, from Siena Cathedral, Siena, Italy, 1333 (frame reconstructed in the19th century). Tempera and gold leaf on wood, center panel 10’ 1” x 8’ 8 3/4”. Galleria degli Uffizi, Florence. |
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Ambrogio Lorenzetti, Peaceful City, detail from Effects of Good Government in the City and in the Country, Sala della Pace, Palazzo Pubblico, Siena, Italy, 1338–1339. Fresco. |