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97 Cards in this Set
- Front
- Back
Italian Baroque |
S. Carlo alle Quatro Fontane Rome Francesco Borromini 1638-1641 |
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Italian Baroque |
St Peter's Basilica forecourt Rome Gian Lorenzo Bernini 1657-1667 |
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Italian Baroque |
S. Lorenzo Turin Guarino Guarini 1666-1679 |
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French Baroque |
Chateau of Versailles
Paris Louis Le Vau & Jules Hardouin-Mansart 1661-1756 Andre le Notre 1661 |
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Palladian Influence Italian Classicism |
Queen's House Greenwich Inigo Jones 1616 |
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Palladian Influence Italian Classicism |
Blenheim Palace Oxfordshire Sir John Vanbrugh 1705-24 |
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Palladian Influence Italian Classicism |
Chiswick House Twickenham Lord Burlington 1725 |
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Palladian Influence Picturesque |
Royal Crescent Bath John Wood 1767-1774 |
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sublime: excite ideas of pain and danger -effect of sublime to highest degree -light shadow, nature beauty: smooth, humble, polished, delicate |
Edmund Burke "A Philosophical Enquiry into the Origin of our ideas of the Sublime and Beautiful" 1757 |
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picturesque: distinguished roughness to beauty. perfection is uninteresting. variety is desirable, perfection offends the picture. |
William Gilpin "Three Essays: on Picturesque Beauty" 1808 |
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Picturesque |
Stourhead House Wiltshire House: Colen Campbell 1721 Gardens: Henry Hoare 1746-1776 |
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Picturesque |
Blaise Hamlet Gloucestershire John Nash & Humphry Repton 1810 |
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Picturesque |
Redevelopment of Regent's Park & Regent St. London John Nash 1811- 1830 |
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Neo-Classicism |
Marc-Antoine Laugier Essai sur l'architecture (illustration of the primitive hut) 1753 |
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French Neo-Classicism |
Ste-Genevieve (le Pantheon) Paris Garmain Soufflot 1757-1790 |
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Neo-Classicism |
Isaac Newton monument proposal Etienne-Louis Boullee 1784 |
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Neo-Classicism |
Plan for the town of Chaux (project) Claude-Nicolas Ledoux 1775 |
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Neo-Classicism |
Kenwood House Hampstead Remodelling and Additions: Robert Adam 1767-9 |
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- sketching and measuring ancient temples and bringing them back to britain. (recreated in gardens- the Picturesque)
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James Stuart & Nicholas Revett "The Antiquities of Athens, 4 vols' 1762-1816 |
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Renaissance & Greek Revival |
British Museum London Robert Smirke 1823-47 |
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Renaissance & Greek Revival |
National Monument Carlton Hill Edinburgh WH Playfair & CR Cockerell 1822-29 |
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Renaissance & Greek Revival |
Altes Museum Berlin Karl Friedrich Schinkel 1823-33 |
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Renaissance & Greek Revival |
The Reform Club Pall Mall, London Charles Barry 1837-41 |
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Eclecticism and Death |
Bank of England, Stock Office London John Soane 1792-3 |
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Eclecticism and Primitivism |
Bank of England London John Soane 1792-3 |
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Eclecticism and Primitivism |
Bank of England, Tivoli Corner London John Soane 1806-7 |
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Eclecticism and Primitivism |
Dulwich Picture Gallery & Mausoleum John Soane 1811-14 |
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Eclecticism and Primitivism |
12 Lincolns Inn Fields Breakfast Room London John Soane 1792 |
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discovering color in ancient greek temples, hittorfs reconstruction drawings ( color systems like orders) |
Gottfried Semper "Preliminary Remarks on Polychrome Architecture and Sculpture in Antiquity" 1834 |
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The mound the hearth the enclosure the roof More interested in dressing, color, textures and crafts than structure. |
Gottfried Semper "The Four elements of Architecture" 1851 |
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Searching for origins |
Art History Museum (Kunsthistorisches Museum) Vienna Gottfried Semper 1869-91 |
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Searching for origins |
Biblioteque Sainte-Genevieve Paris Henri La-Brouste 1838-1850 |
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Colonisation is a political docterine wiled over the orient because they were weaker than the West. Orientalism is aggressive, offensive and dismissive |
Edward Said "Orientalism" 1978 |
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dot points |
"The Snake Charmer" (artwork) Jean-leon Gerome 1870 |
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"The Woman of Algiers" or "Algerian Women in their Chambers" Eugene Delacriox 1834 |
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Colonial Exhibits at the Great Exhibition 1851 London, The Crystal Palace |
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Colonial: Botany Bay |
Hyde Park Barracks Sydney Francis Greenway 1817-1819 |
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Colonial: Botany Bay |
Governor's Stable and Offices (plan) Sydney Francis Greenway 1820 |
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Natural History Museum London Alfred Waterhouse 1881 |
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Industrial Modernity |
Jeremy Bentham's Panopticon Design c. 1790 |
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Industrial Modernity |
Newgate Prison London George Dance 1770-1782 |
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Industrial Modernity |
Former British Library Reading Room London Sydney Smirke 1854-57 |
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Beaux-arts |
Palais Garnier Opera Paris Charles Garnier 1861-74 |
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Beaux-arts |
Biblioteque Nationale (Reading Room) Paris Henri Labrouste 1862-68 |
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Beaux-arts |
Allegheny County Courthouse Pittsburgh Henry Hobson Richardson 1884-88 |
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Beaux-arts |
Pennsylvania Station New York McKim Mead & White 1906-10 |
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- disliked cheap classical churches around 1800s-return to gothic , likes ornament and detail |
A.W.N Pugin "Contrasts" 1836 |
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- functionalism - ornament should enhance structure and enrich construction. gothic: readable -hates how post renaissance hides structure. - (vernacular buildings/materials:brick) eg: st giles. |
A.W.N Pugin "The true principles of pointed or christian architecture" 1838-41 |
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Westminster New Palace London Charles Barry & A.W.N Pugin 1835 |
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John Ruskin "On the Nature of Gothic" The Stones of Venice London 1851-53 |
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University Museum Oxford Deane & Woodward 1855-60 |
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All Saints Church London William Butterfield 1850-59 |
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"Work", oil on canvas Manchester City Art Gallery Ford Madox Ford 1852-65 |
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The Red House Bexley Heath Philip Webb 1859 William Morris interior |
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William Morris Interiors and textiles1860s |
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St. Johns College Chapel Auckland Frederick Thatcher 1847 |
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Great Hall and Rajabai Tower University of Mumbai Mumbai, India George Gilbert Scott 1875 |
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Victoria Terminus Mumbai, India Frederick William Stevens 1877-88 |
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Napier Museum Trivandrum, India Robert Fellowes Chisholm 1872-80 |
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First Church of Christ, Scientist, London Robert Fellowes Chisholm 1908 |
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Owen Jones "The Grammar of Ornament" 1856 |
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Great Exhibition Building Crystal Palace Hyde Park, London 1850-1 Designer: Joseph Paxton Interior: Owen Jones Engineers: Charles Fox Stephenson |
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Derby Cotton Mill Midland England William Strutt 1792-3 |
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Coalbrookdale Bridge Shropshire Abraham Darby 1775-79 |
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Palm Stove Kew Decimus Burton 1845-7 |
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Menai Suspension BridgeWalesThomas Telford1819-24 |
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St. Pancras Station London Sir George Gilbert Scott's design for the station front & Midland Hotel 1868-74 |
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Former Independent Church (now St. Michaels) Melbourne Reed & Barnes 1867 |
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Former Melbourne Stock Exchange (ANZ Bank) Melbourne William Wardell 1883-1887 |
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Iron Cottage Patterson Place S. Melbourne Robertson &Lister of Glasgow c. 1853-4 |
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Former Auditorium Building Melbourne Nahum Barnett 1913 |
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Haussman Plan (modernising Paris) Baron Georges-Eugene Haussmann 1852-70 |
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Exposition Universelle, Paris including: Galerie des Machines Charles-Louis Ferdinand Dutert (architect) Victor Contamin (engineer) 1889 |
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Exposition Universelle, Paris including: Eiffel Tower Paris Gustave Eiffel 1887-9 |
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Viollet le Duc "Dictionnaire Raisonne de l'architecture francaise 11th-16th c" 1854-68 |
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Entretiens sur l'architecture (discussion of architecture) 1863-72 |
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Design for a Concert Hall Viollet-le-duc 1864 from Entretiens sur l'architecture |
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Rue Franklin apartment Paris Auguste & Gustave Perret 1903 |
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Pennsylvania Academy of Fine Arts Philadelphia Frank Furness 1871-1876 |
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Baltimore and Ohio Passenger Station Philadelphia Furness, Evans and co. 1887-1888 |
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Trinity Church Boston Henry Hobson Richardson 1872-77 |
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Glessner House Chicago Henry Hobson Richardson 1887 |
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Marshall Field Store Chicago Henry Hobson Richardson 1885-87 |
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Transportation Building Worlds Columbian Exposition Chicago Adler & Sullivan 1893 |
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Auditorium Building Chicago Adler & Sullivan 1886-9 |
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Wainwright building Saint Louis, Missouri Adler & Sullivan 1890-91 |
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Guaranty Building Buffalo, New York Adler & Sullivan 1895-96 |
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Hotel Tassel Brussels Victor Horta 1892-93 |
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Sacre Coeur College Paris Hector Guimard 1895 |
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Metro Enrtances Paris Hector Guimard 1899-1904 |
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Samaritaine (department store) Paris Frantz Jourdain & Henri Sauvage 1905-7 |
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Glasgow School of Art, Glasgow Charles Rennie Mackintosh 1898-1909 |
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-the evolution of culture is synonymous with the removal of ornament from objects. -ornament is a mask for a structure like how dress is a mask for man. |
Adolf Loos "Ornament & Crime" 1908 |
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The Secession Building Vienna Joseph Maria Olbrich 1897-98 |
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Post Office Savings Bank, Vienna Otto Wagner 1904-12 |
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Palais Stoclet Brussels Josef Hoffmann 1905-10 |
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Villa Muller Prague Adolf Loos 1928-30 |