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9 Cards in this Set

  • Front
  • Back
Afternoon of the Faun
Debussy
(flute/trumpet solo, haunting)
Faun = man/goat spends his day chasing women creatures through the forest
Based off Mallarme’s poem
A
Solo flute – undulating line
Add harp & horns
B
Clarinet & flute rapid, chromatic arabesque
Theme in violins, horn, clarinet & violin
A’
Solo flute, viola, oboe
Coda
Ostinato in harps
Violins & horns
“dabs” of sound in various instruments
Voiles
Debussy
(Sails)
(piano solo, haunting)
A –
Whole tone scale
Descending parallel thirds
Ostinato
B –
Harp-like glissandos – pentatonic scale
Chords moving in parallel motion – pedal point
A’ –
Descending thirds return
Rapsodie espagnole – Habanera
Ravel
(strings and horns, mystical)
Originally for piano
Habanera - An Afro-Cuban dance – slow seductive dance from Havana
Later added 3 movements & arranged for orchestra
Syncopated habanera rhythm and glissandos in string
Le Sacre du printemps (The Rite of Spring)
Stravinsky
(soft horn(s) that sound distant)
Premiere May 29, 1913 – caused a riot
Partly the modernist choreography & costumes
Partly the music
Fantasia – 1940
Joffrey Ballet
Pierrot luniere
Schoenberg
(violin with dissonant woman singer)
Best known work
Like expressionistic art
Pierrot from Commedia del’ Arte tradition
Moonstruck clown = alienated modern artist
Female voice & chamber ensemble
Sprechstimme – speech voice
Text more spoken than sung
Rhythms are exact but once hit pitch, slide away
“Lunatic”
Vision of Mary at the foot of the cross
No repetition (through-composed)
Text repeated but not the music
Nothing allowed to become familiar
With repeated hearings, acquires an eerie sort of beauty
Romeo and Juliet “Dance of the Knights”
Prokofiev
(bass rhythm)
Heavy dance music grows from low voices of orchestra
Begins in duple meter, middle is in triple meter with light melody in flutes, returns to duple meter with oboe solo
Symphony No. 5
Shostakovich
(fluttering, with loud deep horns and drums)
Less-modernist composition because his 4th symphony had been denounced
Some modernist ways are hidden though!
Heavy percussion
Some dissonance
“Sliding harmonies”
Concerto for Orchestra IV “Broken intermezzo”
Bartok
(high fluttering, then soft, high horns)
“Concerto” for whole orchestra – each instrument gets solo
5 movements all based on folk melodies and rhythms
Movement IV – Broken intermezzo
Intermezzo is interrupted by contrasting music in the middle
Uses pentatonic scale and irregular meters – these are folk music traits
Appalachian Spring “Simple Gifts”
Copland
(soft horns, playful clarinet tune)
Ballet in one act
Tells a story
Section 7 – “Simple Gifts” from traditional Shaker tune