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50 Cards in this Set
- Front
- Back
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Duccio, Maesta, 1308-11, for the high altar of theSiena Cathedral, tempera and gold leaf on panel. now in theMuseo dell’ Opera del Duomo, Siena |
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Simone Martini, Maestà, c.1315, for the Room of theCouncil, Palazzo Pubblico, Siena, fresco. |
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Simone Martini, Annunciation, c.1329/31-33, for the altar of St. Ansanus inSiena Cathedral, tempera and gold leaf on panel, now in theUffizi |
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Arnolfo di Cambio and Francesco Talenti, Santa Maria del Fiore (the duomo or cathedral), begun 1296 (Italian Gothic style for the main building, early Renaissance dome) |
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Arnolfodi Cambio, Palazzo Vecchio, Piazza della Signoria, 1299-1310 |
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Probably by Arnolfo di Cambio, Santa Croce, begun1294 |
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Santa Maria Novella, monastic complex begun 1246, façade begun c.1300 and completed in 1470 by Alberti |
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Michelozzo, Medici Palace, Florence, begun1446-c.1460 |
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Andrea Orcagna, tabernacle for Or San Michelewith Madonna and Child by Daddi, 1347 |
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Michelozzo, Cloister of San Marco, 1436 |
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Interior view of theBrancacci Chapel, Santa Maria del Carmine, 1425-1428 & 1481-1485 |
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Interior view of theSassetti Chapel, c.1485 |
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Interiorview of the Tornabuoni Chapel, Santa Maria Novella, 1486-1490 |
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Masaccio, Holy Trinity, ca.1428, in Santa MariaNovella |
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Ghirlandaio, The Birth ofthe Virgin, Tournabuoni chapel, Santa Maria Novella, 1485-90. |
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Masaccio, Tribute Money, fresco, Brancacci Chapel, SantaMaria del Carmine, 1423-48 |
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Benozzo Gozzoli, The Procession of the Three Magi (thescene depicting the youngest king, Balthazar), fresco, c.1459, Chapel of the Magi, Medici Palace. |
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Gentile da Fabriano, Adoration of the Magi, 1423, temperaon panel, for the Strozzi Chapel in Santa Trinita now in theUffizi, Florence |
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Fra Angelico, Crucifixion, 1440s, fresco, chapter house, monastery of San Marco |
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Fra Angelico, Annunciation, 1440s, fresco, monasteryof San Marco, Florence |
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Ghirlandaio, Last Supper, refectory, monastery of San Marco, c.1486 |
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Paolo Uccello, Battle ofSan Romano, ca.1455, tempera on wood, National Gallery, London |
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Sandro Botticelli, Primavera, ca.1482, tempera on panel, Florence, Uffizi |
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Sandro Botticelli, Birth of Venus, c.1485, tempera on canvas, Florence, Uffizi |
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Andrea Pisano, FlorenceBaptistery south doors, ‘Life of St John the Baptist’, 1330-36, gilded bronze |
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Ghiberti, The Baptistery Doors (North Doors), 1401-19 |
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Ghiberti, Gates of Paradise (East Doors), 1425-52 |
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Ghiberti, The Story of Jacob and Esau, c.1435 |
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Ghiberti, St. John the Baptist, 1412-16 commissioned bythe Cloth Merchants Guild for Or San Michele |
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Nanni di Banco, St. Luke, 1408-15, commissioned for one of the niches of Florence Cathedral, now in the Museo dell’Opera delDuomo, Florence |
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Donatello, St. John, 1408-15, commissioned by the Opera del Duomo for thefaçade of Florence Cathedral, marble, now in the Museo dell’Opera delDuomo, Florence |
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Donatello, St. Mark, 1411-13, commissioned from the Arte dei Linaiuoli for the south sideof Or San Michele, Florence, marble |
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Donatello, St. George, commissioned by theArmourers’ Guild for Or San Michele, 1416-17 |
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Donatello, St. Louis of Toulouse, commissionedby the Guelphpolitical party for Or San Michele, c.1422-25 |
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Donatello, David, ca.1428-32, bronze, Bargello, Florence, originally for the courtyard of the Medici Palace |
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Donatello, Judith and Holofernes, gilt bronze, late 1450s originally set in a garden in the MediciPalace, now in the Palazzo dellaSignoria, Florence |
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Andrea del Verrocchio, David, ca.1465-70, bronze, Museo Nazionale del Bargello, Florence |
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Michelangelo, David, 1501-04, commissioned by the Cathedral building committee for the north tribuneof the Catheral, but on completion installed in front of the Palazzo Vecchio, Florence, marble |
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Antonio del Pollaiuolo, Hercules and Anteus, early 1470s, bronze, Museo Nazionale del Bargello,Florence |
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Equestrian statue of Erasmodi Narni, ‘Il Gattamelata’, bronze with a marble base, c.1445-53, Piazza di SanAntonio, Padua |
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Andreadel Verrochio, Equestrian Statue of Bartolommeo Colleoni, Campo die SantiGiovanni e Paolo, Venice, ca.1483-88, bronze |
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Alberti, Sant Andrea, 1472-1494 |
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Andrea Mantegna, Camera degli Sposi, view of the ceiling, 1465-74, fresco, Castello di San Giorgio |
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Mantegna, La Corte dei Gonzaga, Camera degli Sposi, north wall |
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Mantega, Pallas Expelling the Vices from the Garden of Virtue, 1499-1502 |
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Leonardo, Last Supper, 1495-98, tempera and oil on plaster, Santa Maria delle Grazie |
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Polykleitos, Doryphorus, marble copy after bronze original of c.450-440 BC, Naples, Museo Nazionale (Ancient Greek: High Classical) |
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Praxiteles, Hermes and the Infant Dionysus, from the Temple of Hera, Olympia, Greece, marble copy after original of ca.340 BC, Archaeological Museum, Olympia (Ancient Greek: Late Classical) |
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Anthanadorus, Hagesandros and Polydorus of Rhodes, Laocoön and His Sons, from Titus’s palace, Rome, early 1st century A.D., marble, Vatican, Rome (Ancient Roman—Hellenistic) (<> |
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Equestrian statue of Marcus Aurelius, from Rome, Italy, ca.175AD, bronze, Musei Capitolini, Rome (Ancient Roman) |