Pre-Finals History Of Gd

Date of german posters plakatsil

In the first decade of the 20th century , the experiments with pure form begun in the 1890 s continued and evolved. Although the Glasgow group received reception in the British Isles , designers in Austria and germany were inspired by their move toward ______________________________.

In austria , a group of young artists led by ______________ broke with the ___________ in 1897 and formed the ___________________.

These artists and architects rejected academic traditions and sought new modes of expression.

In their exhibition posters and layouts and illustrators for the Secession magazine , Ver Sacrum members ___________________________ ____________________________.

By the turn of the twentieth century , young artists began looking beyond the complex forms of _______________, ______________, __________________. Their ideas in the air at the start of a brand new century were about ____ and _____ approaches.

For these young artists the world of ___________ and ________ had no place in this brave new world.

Design school originating in germany.

What is the meaning of Plakastil.

The traits of Plakastil are usually ______, ______________________________.

________________ was 15 years old when he attended an exhibition in Munich of work that moves away from the drab tones and clutter of Victorian era.

His father kick him out of the house but he made the giant leap into realizing that design could be______ and ________.

This style is the beginning of modern graphic design today that relies on symbols and shapes rather than literal illustration to promote an idea.

It means object-poster.

The use of implied form with __________________ is an incredible way to make the viewer work.

The typography was created by hand as part of the illustration and was also reduced to the most basic message. _____________, ______________, and a _________________

_____________________ are the hallmarks of the German poster movement. these artists know without knowing it also were the first to work with modern _____________________.

The idea of a ________ is a simple icon and name this can be traced to the original Priester poster.; The effects of the german poster arr with us in modern identity design , minimal posters , and the basic concept of _____________.

Who designed Priester matches Plakatsil poster?

Initiated by Lucian Bernhard with his first poster in 1905 Plakatsil was characterized by a simple visual language of _________ and _________. Designers reduced images of products to elemental , symbolic ships that were placed over a flat background color , and they lettered the product name in _____________.

Concurrent with these developments , in germany _____________ played an important role in graphic design.

He helped to develop of philosophy of in design Neue Sachlichkeit (________________), which emphasized technology , manufacturing processes , and function , with style subordinated to purpose.

He is a farsighted industrialist , believed industry needed the visual order and consistency samok that could only be provided by design.

Meaning of AEG and what it is

For AEG , Behrens developed what may be considered the first cohesive _______________ he consistently used the same logo, roman typeface styles , and geometric grades to create product catalogues , magazines , posters , other printed matter , and architectural graphics

Behren's work for aeg was a harbinger of a major area of graphic design in the second half of the 20th century; the creation of a corporate identity through a program using ____________, _________, _________, and __________________, ____________________

Who designed the logo for AEG?

He contributed to the development of modern design , advertising and culture in the early twentieth century can be summed up in his poster design for the Priester match company . However , that is was just the launching pad for his entire career.

he designed posters , type , packaging , textiles , interiors and trademarks for a great many companies over the course of his career and his work was influential in both the united states and europe.

He immigrated from Berlin to America in 1923 in a time when a great deal of fury was developing behind the field of graphic design and advertising.

What is the instinct of Lucian Bernhard?

Although he favored classic booktypefaces for setting text he developed a number of display typefaces , often keeping his name site , including ______________, _______________, ________, __________________ and _________________.

He is considered the founder of the Plakastijl movement.

his style moved graphic design one step closer in the simplification and reduction of naturalism into a visual language of shape and sign.

Give 4 of Lucian Bernharf's posters

He began as a poster artist building up a self-taught style which was primarily influenced by college technique of british biggerstaff brothers.

He had a signature style of applying colors letting them dry at different times , and printing one on top of the other , producing modulations of shading.

The complex play of ____________ suggest that based Hohlwein paintings on _____________.

Although the image was always the dominating element , Hohlwein ____________________________.

His images show an optimistic view on contemporary middle-class life . Over time he gained fame and fortune , and his creations began to serve different needs than merely the promotion of products . He turned his expertise to making billboards for the war effort accepting commissions from the _____________.

Give Ludwig Hohlwein designed posters for.

He was a german graphic designer , litography , and commercial artist known for his contribution to the plakatsil movement.

His work of the prestigious Hollerbaum und Schmidt art printing company along with many other Plakatsil artists make him one of the most important representatives of german poster art between 1906 and 1918.

He created the opel car manufacturer poster.

Give the characteristics of Plakastil.

What is the aim of Plakatstil?

We speak of concrete and not abstract painting because nothing is more concrete , more real than a line , color , a surface.

The netherlands based de stijl movement embraced an abstract , paired down is that tech centered in basic visual elements such as geometric forms and primary colors . It is also known as the ___________.

De Stijl believed that beauty arose from the absolute purity of the work period they sought to purify art by banning ___________________________. the content of their work was to be _______________ , the order that provides the universe.

De Stijl advocated the absorption of art by ____________. It became a ___________ for expressing the movements principles in graphic design.

it is grounded in the idea that the true purpose of art is to not reproduce real objects , but to express absolute of life.

Other meaning of neoplasticism

His aim was to promulgate a new design paradigm of harmony and order , by reducing all art to essential to form and color . Rejecting naturalistic art , he wrote "this new art will find its expression in the _________ of form and color, that is to say , in the straight line and clearly defined primary color ."

He is a dutch artist best known for his abstract paintings . Art that is ________ does not show things that are recognizable such as people , objects or landscapes . Instead artist use colors , shapes and textures to achieve their effect.

When mondrian made his paintings , he would always makes his own colors , never using the paint directly out of a tube .

He often used to primary colors __________________.

Partly a reaction against the decorative exercise of art deco , the reduced quality of de stijl art was envisioned by its creators as a universal visual language propria to modern era , a time of a new , spiritualize world order.

De Stijl is the brainchild of the dutch painter , designer , writer comma and critic _____________.

While serving in the army , he encountered mondrian paintings , in which he saw his ideal . He then met him at an exhibition in Stedelijk museum in amsterdam and , after many discussions they formed the de stijl art group.

At the same time they also founded the De Stijl journal, edited by van doesburg , to which mondrian contributed numerous articles period although its circulation really exceeded ______ copies per issue , it's readership was influential with artistic circles and widespread.

Promoting their innovative ideas in the journal of the same name , the members envisioned nothing less than the ideal fusion of form and function, thereby making De Stijl in effect _________________.

Its members comma working in an abstract style , we're seeking laws of __________ and harmony applicable both to art and to life.

To this end , De Stijl artists turned their attention not only to find art media such as painting and sculpture , but ritually all other art forms as well , including __________, _______, _________________ and_____.

Its influence was perhaps felt most noticeably in the realm of architecture helping give rise to the international style of the 1920s and 1930s

The principles were more about _______ and __________ which made De Stijl look very minimalist and abstract compared to other art movements . They had reduced amount of ________ using only ybrwb,

There is also a relationship of _________ and ___________ always found in this De Stijl paintings.

Meaning of de stijl in dutch.

Viewing art as a means of social and spiritual redemption , the members of de stijl embraced a ___________ of art and its transformative potential.

Modeled on or aiming for a state in which everything is perfect.

Among the pioneering exponents of abstract art , de stijl artists espoused a visual language consisting of precisely rendered geometric forms usually straight lines , squares and rectangles and primary colors .. expressing the artist search, ______________________________________ this austere language is meant to reveal the laws governing the harmony of the world.

Even though De Stijl artists created work embodying the movements utopian vision , their realization that this vision was unattainable in the world in the real world essentially brought about the group's demise.

Ultimately , De Stijl's continuing fame is largely the result of the enduring achievement of its best known member and true modern master, ___________.

Give the objectives of De Stijl.

Give the characteristics of De Stijl.